Luke.2

This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy

Renowned performer, conductor, teacher and composer Carol McClure draws upon her lifelong interest in the music of the Shaker communities of her native Kentucky. This rousing, compelling setting is perfect

Created for Ely Cathedral choir, this charming setting of a beloved Italian carol is appropriate for church and school settings, with lyrics in both Italian and English. Moderate voice ranges, beautiful

This fresh presentation of the traditional folk song from Catalonia, Spain recounts what the shepherds must have asked one another as they walked to meet the Holy Family at the manger. Both tune and

This folk-song setting of a famous poem by one of Scotland's greatest poets has been beautifully crafted by the Canadian-born composer Sarah McDonald. Accessible and artistically rewarding, it is suitable

This work conveys the energy and urgency of the great Southern Harmony tune BOZRAH in this highly creative yet approachable anthem with Violin solo - played entirely in first position.  Voice ranges

Carol McClure's gifts as composer, lyricist and arranger are all on display in Like David's Harp--soaring melody, poignant text, and flowing accompaniment. Harp part is written for a

Commissioned by Choir & Organ magazine for Daniel Hyde and the choir of St. Thomas Fifth Avenue Church in New York, the composer focuses his compositional skills on a classic Robert Herrick

Drawn from the music of the Shaker communities of Kentucky, this simple, effective setting is appropriate for younger voices and is a great teaching tool for exploring the historical context of this

The second offering in the August Press Silent Night Project, this setting includes subtle harmonies with a bit of dry humor thrown in for good measure: listen for a snippet of a lullaby along the way!

This hauntingly beautiful setting of devotional text by Thomas Kelly (1769-1855) was inspired by the Southern Harmony tradition. Composed for two equal treble voices and cello, it's appropriate for introit

When We Build is an ideal piece for community, college and festival choirs—long expressive vocal lines, inspiring text—an opportunity for the choir to shine while it moves and